Giacomo Puccini is the writer to TOSCA!! Which is now my favorite Opera... which was awesome... when I saw it this morning... I got the orchestra pit... it was soooo cool... usually they give us balocony cheap seats.. but this time.... we got orchestra... I was probally like 15 no more than that away from the stage... it was soo good..... It started right when I sat down for about 30 seconds... which was suprising.... and they always start in time..... never fashionablely late... that's what I love going to Operas.... I went to the Los Angeles Opera .... beautiful place... I usually go there every year to see an Opera... but next year I might go to about 3 more or so... just because ... I can.. lol... anyways..... 
That's the Premiere Poster of Tosca... as you can see.... Tosca just killed Scarpia... and he's lying on the ground dead... and Tosca just put two candles beside him... and took Scarpia's cross and lyed it on top of him.... 
ACT I. The Church of Sant'Andrea della Valle... All the setting is actually an actual place in Rome... Puccini went to Rome just to get every detail correctly... even to the simpliest details such as the correct sounds of the Church bells.....
ACT II. Scarpia's room at the Palazzo Farnese..... This is when Scarpia tried to rape Tosca... and try to make a deal with her.... and this is where Tosca KILLS Scarpia
ACT III. The platform of the Castel S. Angelo... You can see the Church in the background and it's only a half a mile away.... This is where Mario gets shot... and during this scene my favorite song plays


This is the characters that plays in Tosca when I saw them today....1. Violeta Urmana - Tosca...2. Samuel Ramey - Scarpia...3. Salvatore Licitra - Mario...F0r the people who's intersted what I wore to the Opera... here it is... I gotta take a new one... I look fat in that dress.... haha... oh wells... enjoy

My hair... it's different... heres a close up of it... I HAVE dyed my hair this color before... so it's not really a change...

The story again... just more clearer... for those who are intersted in reading more depth...Cesare Angelotti, an escaped political prisoner, rushes into the church of Sant' Andrea della Valle to hide in the Attavanti chapel. As he vanishes, an old Sacristan shuffles in, praying at the sound of the Angelus. Mario Cavaradossi enters to work on his portrait of Mary Magdalene - inspired by the Marchesa Attavanti (Angelotti's sister), whom he has seen but does not know. Taking out a miniature of the singer Floria Tosca, he compares her raven beauty with that of the blonde Magdalene. The Sacristan grumbles disapproval and leaves. Angelotti ventures out and is recognized by his friend and fellow liberal Mario, who gives him food and hurries him back into the chapel as Tosca is heard calling outside. Forever suspicious, she jealously questions him, then prays, and reminds him of their rendezvous that evening at his villa. Suddenly recognizing the Marchesa Attavanti in the painting, she explodes with renewed suspicions, but he reassures her. When she has gone, Mario summons Angelotti from the chapel; a cannon signals that the police have discovered the escape, so the two flee to Mario's villa. Meanwhile, the Sacristan returns with choirboys who are to sing in a Te Deum that day. Their excitement is silenced by the entrance of Baron Scarpia, chief of the secret police, in search of Angelotti. When Tosca comes back to her lover, Scarpia shows her a fan with the Attavanti crest, which he has just found. Thinking Mario faithless, Tosca tearfully vows vengeance and leaves as the church fills with worshipers. Scarpia, sending his men to follow her to Angelotti, schemes to get the diva in his power ("Va, Tosca!"). In the Farnese Palace, Scarpia anticipates the sadistic pleasure of bending Tosca to his will. The spy Spoletta arrives, not having found Angelotti; to placate the baron he brings in Mario, who is interrogated while Tosca is heard singing a cantata at a royal gala downstairs. She enters just as her lover is being taken to an adjoining room: his arrogant silence is to be broken under torture. Unnerved by Scarpia's questioning and the sound of Mario's screams, she reveals Angelotti's hiding place. Mario is carried in; realizing what has happened, he turns on Tosca, but the officer Sciarrone rushes in to announce that Napoleon has won the Battle of Marengo, a defeat for Scarpia's side. Mario shouts his defiance of tyranny and is dragged to prison. Scarpia, resuming his supper, suggests that Tosca yield herself to him in exchange for her lover's life. Fighting off his embraces, she protests her fate to God, having dedicated her life to art and love. Scarpia again insists, but Spoletta interrupts: faced with capture, Angelotti has killed himself. Tosca, forced to give in or lose her lover, agrees to Scarpia's proposition. The baron pretends to order a mock execution for the prisoner, after which he is to be freed; Spoletta leaves. No sooner has Scarpia written a safe-conduct for the lovers than Tosca snatches a knife from the table and kills him. Wrenching the document from his stiffening fingers and placing candles at his head and a crucifix on his chest, she slips from the room. The voice of a shepherd boy is heard as church bells toll the dawn. Mario awaits execution at the Castel Sant'Angelo; he bribes the jailer to convey a farewell note to Tosca. Writing it, overcome with memories of love, he gives way to despair. Suddenly Tosca runs in, filled with the story of her recent adventures. Mario caresses the hands that committed murder for his sake, and the two hail their future. As the firing squad appears, the diva coaches Mario on how to fake his death convincingly; the soldiers fire and depart. Tosca urges Mario to hurry, but when he fails to move, she discovers that Scarpia's treachery has transcended the grave: the bullets were real. When Spoletta rushes in to arrest Tosca for Scarpia's murder, she cries to Scarpia to meet her before God, then leaps to her death.



THAT'S RIGHT BITCH!! ORCHESTRA SECTION!!
MY FAVORITE OPERA SINGER... WANT TO IMPRESS ME?? SING LIKE HIM... AND FOR SURE I'LL BE YOURS FOREVER.PLACIDO DOMINGO...Not only that he's a great OPERA singer... He's also the Gerenal Director of LOS ANGELES OPERA... I saw him today at the Opera seeing Tosca... it was an Honor... he has a beautiful tenor voice.... He was Mario in Tosca before in the movie... I want it... *Christmas* lol... 
Yeppy... that's him alright.... he's sooo good... makes me shiver with his voice...NEXT OPERA I WANT TO SEE:
PARSIFAL
Of course Placido Domingo is in it as PARSIFAL... It is by Richard Wagner... "Wagner's sublimely haunting score and majestic choruses illuminate the struggle between the Knights of the Holy Grail and a vengeful socerer as they battle for possession of a sacred vessel. A virtuous wanderer fulfills a prophecy that mankind will be renewed through his pity, enabling the Knights to reclaim the Holy vessel and triumph over evil." It is sung in German.. I want to see the Opera... Anyone want to take me?
Credit sites:
http://opera.stanford.edu/Puccini/Tosca/picts.htmlwww.losangelesopera.com